List: Starting A Jazz Library

When I started working on my undergraduate thesis in college, I began building my library of jazz reading. As a service to any budding jazz scholars, below are the essential readings any serious jazz scholar should take a look at. This list is by no means exhaustive; think of it more as a starting-off point than a definitive list.

Interviews, Oral Histories, and Primary Sources

1. Wayne Enstice and Paul Rubin, Jazz Spoken Here: Conversations With Twenty-Two Musicians
   
2. Robert Gottlieb, Reading Jazz: A Gathering of Autobiography, Reportage, and Criticism from 1919 to Now
   
3. Nat Hentoff and Nat Shapiro, Hear Me Talkin' to Ya: The Story of Jazz As Told by the Men Who Made It
   
4. Len Lyons, The Great Jazz Pianists: Speaking Of Their Lives And Music
   
5. Ben Sidran, Talking Jazz
   
6. Art Taylor, Notes and Tones: Musician-to-Musician Interviews
   
7. Robert Walser, Keeping Time: Readings in Jazz History
   

Biographies

1. James Lincoln Collier: Louis Armstrong: An American Genius
   
2. John Edward Hasse, Beyond Category: The Life And Genius Of Duke Ellington
   
3. Ben Ratliff, Coltrane: The Story of a Sound
   
4. A.B. Spellman, Four Lives in the Bebop Business
   
5. John Szwed, So What: The Life of Miles Davis
   

Autobiographies

1. Count Basie, Good Morning Blues: The Autobiography of Count Basie
   
2. Sidney Bechet, Treat It Gentle: An Autobiography
   
3. Miles Davis, Miles
   
4. Duke Ellington, Music Is My Mistress
   
5. Dizzy Gillespie, To Be or Not to Bop: Memoirs of Dizzy Gillespie
   
6. Charles Mingus, Beneath the Underdog: His World as Composed by Mingus
   
7. Horace Silver, Let's Get to the Nitty Gritty: The Autobiography of Horace Silver
   

Surveys of Jazz History

1. James Lincoln Collier, Jazz: The American Theme Song
   
2. Ted Gioia, The History of Jazz
3. Burton Peretti, Jazz in American Culture
   
4. Gunther Schuller, Early Jazz: Its Roots and Musical Development and The Swing Era: The Development of Jazz, 1930-1945
   

Book-Length Studies

1. Iain Anderson, This Is Our Music: Free Jazz, the Sixties, and American Culture
   
2. Scott DeVeaux, The Birth of Bebop: A Social and Musical History
   
3. John Gennari, Blowin' Hot and Cool: Jazz and Its Critics
   
4. Ted Gioia, West Coast Jazz: Modern Jazz in California, 1945-1960
   
5. LeRoi Jones/Amiri Baraka, Blues People: Negro Music in White America
   
6. Frank Kofsky, John Coltrane and the Jazz Revolution of the 1960's
   
7. George Lewis, A Power Stronger Than Itself: The AACM and American Experimental Music
   
8. Graham Lock, Blutopia: Visions of the Future and Revisions of the Past in the Work of Sun Ra, Duke Ellington, and Anthony Braxton
   
9. Eric Porter, What Is This Thing Called Jazz? African American Musicians as Artists, Critics, and Activists
10. David Rosenthal, Hard Bop: Jazz and Black Music 1955-1965
    
11. Scott Saul, Freedom Is, Freedom Ain't: Jazz and the Making of the Sixties
    
12. Gabriel Solis, Monk's Music: Thelonious Monk and Jazz History in the Making
13. Penny Von Eschen, Satchmo Blows Up the World: Jazz Ambassadors Play the Cold War
    

Edited Critical Collections

1. Whitney Balliet, Collected Works : A Journal of Jazz 1954-2000
2. Amiri Baraka, Black Music
3. Stanley Crouch, Considering Genius: Writings on Jazz
4. Ralph Ellison, Living with Music: Ralph Ellison's Jazz Writings
   
5. Gary Giddins, Visions of Jazz: The First Century
   
6. Nat Hentoff, The Jazz Life
   
7. Howard Mandel, Future Jazz
   
8. Martin Williams, The Jazz Tradition
   

Miscellaneous Edited Collections

1. Krin Gabbard, Jazz Among the Discourses
   
2. Robert O'Meally, The Jazz Cadence of American Culture
   
3. Robert O'Meally, Uptown Conversation: The New Jazz Studies
   

Self Portrait in Three Colors

I.

As this is the inaugural post on the blog, I'll begin with an introduction of sorts. I first listened to jazz in 1996, when I was in seventh grade and joined the Arvida Middle School Jazz Band under the direction of Roger Faulmann. I had been playing trumpet for a year at that point. This band was my first exposure to jazz, though the band did not play much jazz per se (the repertoire was a mostly American popular songs with some oldies and traditional big band charts thrown in for good measure). Besides the borderline-jazz and non-jazz tunes, we played arrangements of Count Basie, Benny Goodman, Glenn Miller, and Duke Ellington. So the first jazz I was listening to came from that source. Soon enough, I was broadening my horizons to Miles, Bird, Monk, Trane, and all the other jazz greats one would expect an adventurous neophyte to discover. This continued into high school, where I blossomed into a full-fledged music nerd, playing in multiple bands at Coral Reef Sr. High in Miami, Florida, and developing into a mildly competent jazz trumpeter.

By college I had given up all aspirations of becoming a musician, but used jazz in a research focus for my history degree, writing an undergraduate thesis on the racial politics of hard bop for the history department at the University of Florida. This interest continued at the University of Virginia, where I wrote another thesis (this time for an M.A.) on the discourse of race in the jazz community of the 1960s. before dropping out of grad school with an M.A., I had ambitions of becoming a historian who examined jazz and American culture. I now work in the "real world" at stock market research firm, and have decided to continue writing about jazz on this blog.

I've always had a passion for jazz; for the way it challenged me, surprised me, made me laugh; for the way musicians incorporated disparate elements into their music while stamping out a unique musical identity. I plan on building a catalog of critical writings, discussing jazz of many eras, reviewing books and new albums that come out, and trying to find an answer to the eternal question, "What is jazz?" I hope you'll at least find my posts thoughtful and occasionally thought-provoking.

II.

Because every once in awhile I am asked by friends for a brief primer into jazz, I often think of what to recommend to the nascent jazz listener. I've come up with what I think is a good list to give someone a basic discography on which to build a collection. While I try to keep it broad, I think the list still reveals what I like the most and what I find to be the most important building blocks of jazz, so I include it below to give you an idea of my own tastes. I should note that most was recorded before 1970. This is not because I think good music ceased to be recorded after this point, it is because I feel one should first be introduced to "The Jazz Tradition" (I will address the problems of such a canonization of a tradition and attempt an explanation of the Jazz Tradition in later posts). This allows the listener a better understanding of the context out of which a jazz musician from any era comes. I also try not to repeat artists, so I can include more.

So, acknowledging those caveats, here is my list, in chronological order:

1. Hot Five and Hot Seven Recordings, Louis Armstrong
2. Decca Recordings, Count Basie
3. The Blanton-Webster Band, Duke Ellington
4. Yardbird Suite (or any other collection with the mid-'40s sides with Dizzy Gillespie), Charlie Parker
5. Moanin', Art Blakey and the Jazz Messengers
6. Kind of Blue, Miles Davis
7. The Shape of Jazz to Come, Ornette Coleman
8. Monk's Dream, Thelonious Monk
9. A Love Supreme, John Coltrane
10. Maiden Voyage, Herbie Hancock

Of course, when I actually make this recommendation, I often double the list so I can include Sonny Rollins, Charles Mingus, Lee Morgan, more Miles and Monk, Bill Evans, etc. But the exercise is no fun if you do not impose any boundaries...

III.

Since the above list excluded everything after 1965 (I was unable to include any fusion on the list, which is one of the reasons it took me so long to narrow it down), I will include a second list of everything since then for the beginning listener who is familiar with The Jazz Tradition.

1. Bright Size Life, Pat Metheny
2. Standard Time, Vol. 1, Wynton Marsalis
3. Soul on Soul, Dave Douglas
4. Tonic, Medeski, Martin & Wood
5. Whisper Not, Keith Jarrett
6. Bill Frisell with Dave Holland and Elvin Jones, Bill Frisell, Dave Holland, and Elvin Jones
7. Prime Directive, Dave Holland Quintet
8. Oh!, ScoLoHoFo
9. Modernistic, Jason Moran
10. House on Hill, Brad Mehldau

That's the introduction. Stay tuned...