- Seb reviews Icons Among Us at Nextbop, and I pop up in the comment thread (read my review of the film here).
- Patrick J gives us some extended liner notes to the new Bad Plus album via and interview with the band. You can preview the album at NPR Music. It is all killer, no filler.
- Also at NPR, Patrick wants you to know that you too can like jazz.
- Search and Restore has an audio interview with Vijay Iyer up, discussing his latest album (Hot House review forthcoming) and more. Vijay also provides a mixtape at the end of the interview.
- Finally, an NPR Tiny Desk Concert with the Nels Cline Singers:
Showing posts with label Links. Show all posts
Showing posts with label Links. Show all posts
11 September 2010
Weekend Reading
Fall is coming...
08 August 2010
Programming Note and Links
Posting will be light in August. I've got a few extra things on my plate at the moment that require most of my time, but I'll pop in from time to time and get back up to speed in September. Here are a few things to check out today while you're trying to escape the heat.
- It's Newport time again, and NPR is streaming some of today's performances, including Matt Wilson, Dave Douglas' Brass Ecstasy, John Faddis, and the Wynton Marsalis-Dave Brubeck collaboration. Yesterday's action included Fly, Darcy James Argue's Secret Society, and the JD Allen Trio.
- Also at NPR this week, Patrick J. nerds out to some Guillemo Klein. Great stuff.
- Fred Kaplan discusses the recent onslaught of audiophile pressings of classic Blue Note albums in the New York Times today.
- Finally, Andrew Durkin shares a choice quote about technique and improvisation. Spot on.
- Finally, George Wein spoke to Mark Myers recently about the 1960 Newport Rebel Festival, which spawned an unlikely collaboration on record featuring Charles Mingus, Max Roach, Eric Dolphy, Jo Jones, and Roy Eldridge, among others.
Photo: JD Allen at Newport via NPR
13 June 2010
Sunday Reading Material
Something to do between today's World Cup matches:
- Jazz Beyond Jazz blogger Howard Mandel drums up support for the Jazz Journalists Association's Jazz Awards at City Arts. The whole concept seems a little insidery, but it's just an awards show, so what's the worst that could happen? Mandel answers that question when he tells of the time he and Stanley Crouch almost got into a fistfight after the first JJA Awards (which would have been the lamest fight ever had it gone off).
- Our friends at Nextbop are looking to expand their operations and run some new projects, but first they need a little help financing. Chances are most Hot House readers have spent some time listening to the Nextplayer, so please help Seb, Anthony, and the rest of the Nextbop family out. You'll get an immediate return on your investment when you listen to Seb's radio interview with Christian Scott.
- Peter Hum made simple but very effective argument the other day: YouTube is the new DownBeat. The major jazz magazines still do many things well (they are still the best equipped to give us long-form profiles from the likes of David Adler and Nate Chinen), but they have yet to set up websites that are good enough to make me visit more than once a month or so...
- Speaking of jazz media, it's been over four months since jazz.com last posted new material. When it was running strong, jazz.com published some of the best content on the web (see for instance Steve Coleman's epic take on 12 essential Charlie Parker tracks and Chris Kelsey's piece on Ornette Coleman's Blue Note years). I miss it, and hope its days are not over.
- This isn't jazz related, but still worth a read. Roger Ebert offers a spirited and heartfelt defense of Twitter. Since I end up having to defend Twitter to a non-tweeting friend every two months or so, it was nice to see how a better writer than myself does it. Also, if you aren't on Twitter, you could follow only Ebert and still enjoy the service.
- I'll leave you with one final thought. In the early days of jazz it was common to see a slide-whistle used in jazz groups. With that in mind, I would love to see someone use a vuvuzela on their next album.
12 April 2010
April links
I'm not in Paris, but Charlottesville is pretty nice in April, too. Time for some links to wash away the Monday.
- Ethan Iverson on Mal Waldron. I may say this too often, but it bears repeating: if more musicians shared Iverson's zeal for writing, the world (and internet) would be a better place.
- Is Dr. Teeth a jazz muppet? An excellent post with equally incisive comments (mine excluded).
- Pat Metheny discusses Orchestrion with Philip Booth. I will be reviewing the album and revisiting this Metheny post soon.
- Bop and Beyond is reconsidering the music of Lee Morgan. I was a bit surprised that Christopher did not care for The Sidewinder, but share his enthusiasm for Search for the New Land. Here's Part 2.
- Josh Jackson interviewed Randy Weston last week.
- Jason Parker issued a thoughful piece of media criticism over the weekend.
15 March 2010
Ides of March
I'll go with the Ph. D. in astrophysics over the dude who may have been a plagiarist. Okay, he probably wrote those plays, but still...
- Last week at All About Jazz Frederick Bernas interviewed Christian Scott. Also interviewed at AAJ recently: Luis Bonilla and Robin DG Kelley.
- Peter Hum discovered a surprising entry in the Urban Dictionary earlier this month. He also pointed out some video from a Dave Holland master class.
- New Yorker classical critic and author of The Rest Is Noise Alex Ross has written a new book, Listen to This. Here's the table of contents. The book drops in September.
- Ethan Iverson on Wayne Shorter. If Do the Math is not on your RSS reader already, now you have no excuse.
- At Destination: Out this month: Max Roach + Archie Shepp = solid gold.
- Darcy James Argue is giving an in-depth analysis of some of his compositions on his blog. First up: Zeno, Parts 1 and 2, with more to come. I love it when artists nerd out on their blogs and Twitter feeds. Thanks Darcy.
Here is a live recording of the Secret Society playing Zeno at Le Poisson Rouge back in 2008:
08 February 2010
Links From Out In The Cold
- George Wein is still going strong. I hope I'll have that much vigor when I'm 65, much less 85!
- Jason Parker reflects on the Grammy Awards and the state of the music industry. He likes where he stands.
- In case you missed it, read Peter Hum's thoughts on competing aesthetics of beauty in jazz, his thought-provoking response to David Hadju's profile of Fred Hersch.
- Dave King of The Bad Plus just released a solo album (you can preview a track at Nextbop), and bandmate Ethan Iverson offers his thoughts on the album.
- Mark Myers continues to kill it over at JazzWax. Check out his recent interviews with Dave Brubeck, Gunther Schuller, and Buddy De Franco.
- If you're interested in the academic side of jazz, do yourself a favor and head on over to Lubricity, where Alex Rodriguez, an M.A. student and trombonist at Rutgers, is blogging with renewed vigor, focusing on "the history of how jazz has been represented in writing." Recently, he reviewed Bruce Boyd Raeburn's New Orleans Style and the Writing of American Jazz History. I recommend this blog highly.
- Christian Scott's Yesterday You Said Tomorrow
is becoming one of the most anticipated jazz albums of 2010. Over at Nextbop, Seb has the first review. He also has some nice words for yours truly. Here's Christian playing Died In Love at the 2008 Newport Jazz Festival:
Wein photo via New York Times
19 January 2010
Media Criticism
On Friday, Seth Colter Walls made a suggestion on The Awl for NBC programming executives, who are in the middle of a bit of a crisis: Put some jazz on television. His point was obscured at times by a sheepish affectation, but I'll agree with his sentiment: "I was getting pretty excited about the show that somebody could put on TV, if they had the time on hand to hand around to people who know how to spend it."
In other news...
- NYC Winter Jazzfest was a rousing success, according to most observers. Read thoughts on the festival from Ben Ratliff, Nate Chinen, Hank Shteamer, Jim Macnie, Jacob Teichroew, and Alex Rodriguez.
- I've never been shy about my distaste for Richard Nixon, and now I have some new ammunition. So perhaps Wynton is more like Nixon than Reagan, no?
- Jason Crane interviewed the man behind Open Sky Jazz and The Independent Ear, Willard Jenkins, last month. Other recent highlights from The Jazz Session include interviews with Chris Potter and Nathaniel Friedman of the basketball blog Free Darko.
- On A Blog Supreme, Felix Contreras offers to help fill the President's iPod. Later in the week, Matt Wilson penned a remembrance for Ed Thigpen.
- Finally, Matt Merewitz of Fully Altered Media live tweeted some clips from Ethan Iverson and the Respect Sextet's respective sets January 12 at Le Poisson Rouge.
The Respect Sextet playing Furry With A Syringe on Top:
11 December 2009
December Links
- Patrick Jarenwattananon reflects on seeing Sonny Rollins for the first time. Also at A Blog Supreme, Felix Contreras offers a suggestion for the White House's hold music.
- Dave Brubeck was awarded with the Kennedy Center Honors earlier this month in Washington. President Obama recounted how his first experience with jazz came when he attended a Brubeck concert in Hawaii as a ten-year-old in 1971. Peter Hum has a recap, and you can watch a video of Obama's remarks here.
- Chris Kelsey offers some words of wisdom on buying a new saxophone.
- Possibly coming soon: a Fela Kuti biopic.
- Tim McCarver: More than a subpar baseball analyst. You can buy his album here
, it's a perfect gift for the baseball fan who kind of annoys you.
- Doug Ramsey was interviewed on NPR to discuss the musical contributions of Vince Guaraldi to the famous A Charlie Brown Christmas. I'm not a huge fan of Christmas music, but I will always make an exception for Guaraldi's soundtrack
. Christmas Time Is Here is a great ballad, and Skating is one of my all-time favorite melodies. Guaraldi's renditions of Greensleeves and O Tannenbaum are also sublime.
12 November 2009
November Links
Via One Working Musician, Nas mashed up with the Jason Parker Quintet. Be sure to also check out Jason's 100 CDs Project. I'll be reviewing his new album in this space soon.
- Also to be reviewed soon, Robin Kelley's exhaustive new Thelonious Monk biography. I would review it sooner, but I'm taking my time with the book and enjoying it. In the meantime, Kelley was a guest on NPR's On Point last month.
- WTF: Louis Armstrong Sings Pharoah Sanders, via D:O. Also at D:O this week, a special guest post from Ethan Iverson of The Bad Plus, on Paul Bley.
- Someone discovers jazz from an unlikely source. Whatever it takes, right?
- On The Jazz Session, Jason Crane asks Sonny Rollins if jazz is still relevant. Sonny answers the question better than I could ever hope to.
- Chris Albertson recounts a lunch interview with Miles Davis in 1971.
- More 1971 Miles:
20 October 2009
Money Jungle
Time for the October links...- Slate's Jody Rosen breaks down NPR's taste in black music.
- On Slate's business website, The Big Money, Kevin Kelleher says it is time for a redesign of US currency. He examines a number of designers' suggestions, including one who puts Duke Ellington on the $20 bill and another who places Billie Holliday on the $1 bill. I like both.
- Nate Chinen on Medeski Martin & Wood.
- Bob Boilen of NPR's All Songs Considered recently lamented that very little jazz seems to interest him lately (This is not a surprise, since every year he laments in retrospective of the lack of compelling jazz releases that year). He recently invited Josh Jackson of WBGO to discuss some of 2009's best jazz albums (so far).
- Via D:O, a collection of Columbia Records jazz album covers at The Birka Jazz Archive.
- Via Nextbop, Christian Scott performs Died In Love. Very haunting.
- Crooner Harry Connick Jr. may or may not be a sellout, but he nonetheless has the decency to explain to a group of Australians exactly why blackface is a vulgar and offensive relic of American popular culture that need not be resurrected for any reason (via Warming Glow).
- Vikram of Twenty Dollars tells us why he loves jazz. Read it.
- Why I love jazz:
Image via The Big Money
18 September 2009
Polka Dots and Moonbeams
- Howard Mandel launches the #jazzlives campaign, and Darcy James Argue gives us bloggers a widget.
- Chris Albertson recounts an encounter with an acrimonious Leonard Feather.
- Fred Kaplan reviews the latest Motian-Lovano-Frisell residency at the Village Vanguard. This is one of my favorite groups. Nate Chinen also had some nice things to say.
- If you haven't done so already, make sure to read Ethan Iverson's massive posts on Lester Young.
- Branford is mad. He makes a good point about grade inflation, though.
- At jazz.com, Stuart Nicholson interviews Darcy James Argue. Also at jazz.com, Jason Moran reviews 12 classic tracks by his mentor, Jaki Byard. If that is not enough for you, check out Steve Coleman's take on 12 Charlie Parker tracks.
- Peter Hum discovers that Office Space creator Mike Judge is not a fan of Pat Metheny. His loss...
Below is Pres playing Pennies from Heaven in 1950 with Con Bill Harris, Hank Jones, Ray Brown, and Buddy Rich.
Finally, below is a recording of Young playing Polka Dots and Moonbeams with the Count Basie big band at the 1957 Newport Jazz Festival. In his Lester Young remembrance, Ethan Iverson said of the performance,
My god, if you aren’t moved by this you have a heart of stone. Young interfaces with the complicated big band chart behind him beautifully. (It’s reminiscent of Charlie Parker in a similar situation with a complicated chart on “My Foolish Things” on One Night In Washington.) Young’s secure aria over the opulence makes one regret that he never made the album with strings like he wanted to.I totally agree.
13 August 2009
Hiatus
I'm off on vacation through next Friday. I'll be back with you shortly thereafter. In the meantime, below are this month's links.
- Jazz.com remembers Don Ellis (part 1/part 2).
- Miles Davis skateboards!!1!1
- destination: OUT is rerunning some old favorites this month, be sure to check that out.
- The new Dave Holland site has some free bonus tracks from Pass it On.
- The Newport Jazz Festival was last weekend. NPR's A Blog Supreme has photos (1, 2, 3), as does Nate Chinen. NPR Music has full coverage, plus archived performances, here.
- The Bad Plus' Ethan Iverson on his vinyl collection.
- Longtime jazz writer Chris Albertson has a new blog, Stomp Off in C... (h/t jazz.com).
17 July 2009
Good Gracious
In other corners of the jazz blogosphere:
- At jazz.com, Maria Schneider discusses her twelve favorite Gil Evans tracks.
- Darcy James Argue links a YouTube of Clark Terry playing live with the Wayne Shorter Quartet in 1986. Though Wayne was playing in a fusion vein at the time, Terry does not miss a step. There's a reason Miles Davis treated Terry so reverently in his memoirs; the man can still play with anybody who comes his way.
- Ethan Iverson reviews Douglas Henry Daniels’ Lester Leaps In: The Life and Times of Lester "Pres" Young
, a new bio of Lester Young, and offers some good thoughts on the multitude of approaches to jazz criticism. Ethan also recently posted a massive interview with Tim Berne that is worth your time.
- Dave Douglas recently guest posted at A Blog Supreme, writing about the business of jazz in a changing economic climate. Elsewhere at NPR, the All Songs Considered blog takes a look at some legendary New Orleans pianists.
- Ted Gioia discusses a recent NEA study which suggests that the audience for jazz is both shrinking and aging.
- At WBGO, Dave Brubeck discusses the legacy of his 1959 album Time Out.
- Night Lights has an extensive interview with jazz scholar John Gennari. John's book
is essential reading for anyone interested in the history and development of jazz criticism.
22 June 2009
Race Relations, 50 Years Later
Musician Arrested.Of course, in his autobiography, Miles remembered it differently:
New York -- Miles Davis, 32, of 881 10th Avenue, a trumpeter now appearing in Birdland, 52nd Street and Broadway, was arrested after fighting with patrolman Gerald Kilduff, who had ordered him to move from crowded sidewalk. In the scuffle, Davis was hit on the head with a blackjack for which a St. Clare's ambulance had to be called. (1959)
I had just finished doing an Armed Forces Day broadcast, you know, Voice of America and all that bullshit. I had just walked this pretty white girl named Judy out to get a cab. She got in the cab, and I'm standing there in front of Birdland wringing wet because it's a hot, steaming, muggy night in August. This white policeman comes up to me and tells me to move on. At the time I was doing a lot of boxing, so I thought to myself, I ought to hit this motherfucker because I knew what he was doing. But instead I said, "Move on, for what? I'm working downstairs. That's my name up there, Miles Davis," and I pointed to my name on the marquee all up in lights.Miles adds, "I would have expected this kind of bullshit about resisting arrest and all [for which he was charged that night] back in East St. Louis (before the city went all black), but not here in New York City, which is supposed to be the slickest, hippest city in the world." For all America's ills, at least some things have changed for the better. On with this month's links.
He said, "I don't care where you work, I said move on! If you don't move on I'm going to arrest you."
I just looked at his face real straight and hard, and I didn't move. Then he said, "You're under arrest!" He reached for his handcuffs, but he was stepping back. Now, boxers had told me that if a guy's going to hit you, if you walk toward him you can see what's happening. I saw by the way he was handling himself that the policeman was an ex-fighter. So I kind of leaned in closer because I wasn't going to give him no distance so he could hit me on the head He stumbled, and all his stuff fell on the sidewalk, and I thought to myself, Oh, shit, they're going to think that I fucked with him or something. I'm waiting for him to put the handcuffs, on, because all his stuff is on the ground and shit. Then I move closer so he won't be able to fuck me up. A crowd had gathered all of a sudden from out of nowhere, and this white detective runs in and BAM! hits me on the head. I never saw him coming. Blood was running down the khaki suit I had on. Then I remember Dorothy Kilgallen coming outside with this horrible look on her face--I had known Dorothy for years and I used to date her good friend Jean Bock--and saying, "Miles, what happened?" I couldn't say nothing. Illinois Jacquet was there, too.
It was almost a race riot, so the police got scared and hurried up and got my ass out of there and took me to the 54th Precinct, where they took pictures of me bleeding and shit. So, I'm sitting there, madder than a motherfucker, right? And they're saying to me in the station, "So you're the wiseguy, huh?" Then they'd bump up against me, you know, try to get me mad so they could probably knock me upside my head again. I'm just sitting there, taking it all in, watching every move they make.
- Fresh off the folding of Jazz Times, Nate Chinen's regular column at the magazine, The Gig, has moved over to his new blog of the same name. Here he discusses the jazz influences of indie rock stars Grizzly Bear.
- Michael Katzif at A Blog Supreme interviews Icons Among Us director Michael Rivoira.
- Black Classical has released a tribute to Blue Note Records: a huge mix featuring Blue Note tracks from Andrew Hill, Bobby Hutcherson, Wayne Shorter, Jackie McLean, and more. Check it out, it is worth a listen.
- Don Heckman interviews Jimmy Cobb on the anniversary of Kind of Blue.
- At Rifftides, Doug Ramsey reiterates what everyone should know: Late-period Ellington is among some of the best music ever recorded.
- Stephan Mejias takes a look at the latest reissue of Spiritual Unity.
- Jazz.com has a wide-ranging interview with Jack DeJohnette.
- Here is a snippet of Charles Mingus' Remember Rockefeller at Aticca (context):
22 May 2009
Out There...
Sun Ra gets all the credit for fostering an Afronaut aesthetic within jazz, but one look at this cover from Eric Dolphy's 1960 album Out There shows that other musicians were also thinking about boldly going where no man had gone before. The metronome weirdly foreshadows the monolith from 2001: A Space Odyssey, don't you think?Elsewhere in the jazz world...
- Howard Mandel ponders the dearth of female jazz fans, asking men to perhaps be a bit more inclusive and less misogynistic when it comes to jazz.
- Groove Notes posted an audio interview with Billy Hart on the murder of Lee Morgan.
- Philip Stein, an artist who created the mural that graces the back wall of the Village Vanguard, died last month. He was 90.
He was the sister of current Vanguard owner Lorraine Gordon. - You can now listen to archived performances from Smalls Jazz Club online (h/t All Music Blog).
- NPR has started its own jazz blog, and came up with a fantastic name, A Blog Supreme.
- Coming Soon! Kind of Bloop: An 8-Bit Tribute To Miles Davis.
- ESPN.com Special Correspondent Paul Shirley on basketball and jazz. The basketball/jazz comparison can be a bit tired, but Shirley adds new depth to the relationship. Now I have an excuse to post one of my favorite quotes from the American version of The Office. In a deleted scene from episode 1.05 ("Basketball"), Michael Scott ruminates:
And basketball is like jazz, you know. To like pertipify it there's a jazz musician, a guy, you know... if you know jazz you know who I mean. He's uh, God what was his name? Um, he plays one of those curly horns, like those really shiny curly horns that's used in jazz a lot.
Image via Monthly Top Ten
27 April 2009
Spanning the Blogosphere
- Howard Mandel on jazz guitarists and the utility of a Big Three.
- Darcy James Argue's Secret Society album Infernal Machines
drops May 12. You can listen to a stream of the album courtesy of New Amsterdam Records here.
- Michael Steinman remembers Willie "The Lion" Smith.
- Fred Kaplan takes a look at Andy Warhol's album covers for the New York Times. He designed at least 50 album covers, including some for Blue Note, like Kenny Burrell's Blue Lights Volumes 1 & 2
(above, image via Vintage Vanguard).
- Destination: OUT considers Pat Metheny's Zero Tolerance for Silence.
- Wanted: Jazz bloggers
- First it was Giant Steps. Now a robot can play Jordu (h/t jazz.com):
15 March 2009
Miles on Record
Lockwood & Summit recently posted an audio interview of Miles Davis on KXLW in East St. Louis from 1953. Totally bizarre to hear Miles without the rasp in his voice (he got it in the mid-fifties when he got in an argument shortly after vocal surgery). Miles talks about the first time he heard Charlie Parker and Dizzy Gillespie in the mid-forties, and how he was captivated by the new sound - bebop.Check it out. You can listen to the interview here.
h/t: WFIU Night Lights
photo via jazz in photo
10 March 2009
Runnin' the Voodoo Down
- The fiftieth anniversary of Thelonious Monk's Town Hall concert was celebrated with a pair of concerts by Jason Moran and Charles Tolliver: Fred Kaplan, Ben Ratliff, and Will Friedwald have recaps and comments. Below the links is a video of Moran discussing Monk and preforming "Crepescule with Nellie." (UPDATE: Kaplan also filed a piece on the concerts in Slate today. Read it here).
- Jazzhouse Diaries posted a paper by Mark Gridley examining the linkages between free jazz and the Civil Rights Movement in the 1960s. It's quite long, but provides a long-overdue counterpoint to the narrative first propogated by Amiri Baraka and Frank Kofsky which placed free jazz squarely within the context of 1960s Black Nationalism.
- Between the Grooves takes a look at singer/guitarist Madeleine Peyroux.
- Doug Ramsey examines a recently-unearthed 1956 television performance of the Dave Brubeck Quartet.
- There is some wonderful jazz photography being shown at Jazz in Photo.
- This isn't about jazz per se, but interesting to me nonetheless. The LA Times filed a story last week about the increasing number of nonblack faculty teaching African American Studies at US colleges and universities. The piece elicited an interesting response from Keith Josef Adkins on The Root, who recalled questioning the authenticity of white instructors in a graduate seminar on Black Culture and Experience. He writes, "When most students think of Black Studies they imagine 'sanctuary' and a white professor (brilliant or not) is not part of that imagining." This is a subject I once thought about a lot as a white graduate student studying African American history, and one that continues to reveal a certain sense of friction within Academe.
13 February 2009
Links
- One of my favorite time-wasters is If Charlie Parker Was a Gunslinger, There'd Be a Whole Lot of Dead Copycats. They have plenty of photo collections for any taste, but two that potentially of interest to readers of this blog are The Art of Jazz and The Friends of Milt Hinton, featuring the photography
of the great bassist. Bonus points for anyone who can guess the reference in the blog's title...
- Nat Hentoff has begun writing for jazz.com. Here's his first contribution, on Nesuhi Ertegun and Joel Dorn.
- Have you ever read any of Brad Mehldau's prose? He's quite a thoughtful writer, and many of his writings are posted on his website (you can also download his complete works on a pdf here).
- Just in time for Valentine's Day, Night Lights will be looking at some husband-and-wife teams in jazz on tonight's show.
- Since today is Friday the 13th, I wanted to post a video of Monk playing his tune of the same name (from his Prestige date with Sonny Rollins), but there is no video to be found on YouTube. Instead, here is a trio recording of Friday the 13th performed by Avram Fefer on saxophone, Michael Bisio on bass, and Igal Foni on drums.
23 January 2009
Miscellany
- Ted Panken at jazz.com sits down for a talk with Bill Frisell and Ron Miles. Also on jazz.com, Ethan Iverson of The Bad Plus offers up his twelve most essential stride piano tracks, mixing in some post-World War II takes on the style with the expected selections from the catalogues of Art Tatum, Earl Hines, James P. Johnson, et al.
- Destination: OUT gives us a three-part series of posts remembering the 1980s. They linked one of my recent posts, which was nice. That's all I have to say about that.
- Over at JazzWax, Marc Myers interviews Buddy DeFranco about the 1949 Metronome All-Stars sessions.
- Earlier this month, the New York Times had a little Q-and-A for its readers with jazz critic Ben Ratliff.
- From the WBGO Blog, Robert Glasper performs "Enoch’s (Inaugural) Meditation" for President Obama.
- I watched One Night With Blue Note the other day on Netflix, and quite enjoyed the clip of Jackie McLean performing "Appointment in Ghana" with Woody Shaw, McCoy Tyner, Cecil McBee, and Jack DeJohnette:
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