Showing posts with label Links. Show all posts
Showing posts with label Links. Show all posts

11 September 2010

Weekend Reading

Fall is coming...

08 August 2010

Programming Note and Links


Posting will be light in August. I've got a few extra things on my plate at the moment that require most of my time, but I'll pop in from time to time and get back up to speed in September. Here are a few things to check out today while you're trying to escape the heat.

Photo: JD Allen at Newport via NPR

    13 June 2010

    Sunday Reading Material

    Something to do between today's World Cup matches:
    • Jazz Beyond Jazz blogger Howard Mandel drums up support for the Jazz Journalists Association's Jazz Awards at City Arts. The whole concept seems a little insidery, but it's just an awards show, so what's the worst that could happen? Mandel answers that question when he tells of the time he and Stanley Crouch almost got into a fistfight after the first JJA Awards (which would have been the lamest fight ever had it gone off).
    • Our friends at Nextbop are looking to expand their operations and run some new projects, but first they need a little help financing. Chances are most Hot House readers have spent some time listening to the Nextplayer, so please help Seb, Anthony, and the rest of the Nextbop family out. You'll get an immediate return on your investment when you listen to Seb's radio interview with Christian Scott.
    • Peter Hum made simple but very effective argument the other day: YouTube is the new DownBeat. The major jazz magazines still do many things well (they are still the best equipped to give us long-form profiles from the likes of David Adler and Nate Chinen), but they have yet to set up websites that are good enough to make me visit more than once a month or so...
    • Speaking of jazz media, it's been over four months since jazz.com last posted new material. When it was running strong, jazz.com published some of the best content on the web (see for instance Steve Coleman's epic take on 12 essential Charlie Parker tracks and Chris Kelsey's piece on Ornette Coleman's Blue Note years). I miss it, and hope its days are not over.
    • This isn't jazz related, but still worth a read. Roger Ebert offers a spirited and heartfelt defense of Twitter. Since I end up having to defend Twitter to a non-tweeting friend every two months or so, it was nice to see how a better writer than myself does it. Also, if you aren't on Twitter, you could follow only Ebert and still enjoy the service.
    • I'll leave you with one final thought. In the early days of jazz it was common to see a slide-whistle used in jazz groups. With that in mind, I would love to see someone use a vuvuzela on their next album.

    12 April 2010

    April links


    I'm not in Paris, but Charlottesville is pretty nice in April, too. Time for some links to wash away the Monday.

    15 March 2010

    Ides of March




    I'll go with the Ph. D. in astrophysics over the dude who may have been a plagiarist. Okay, he probably wrote those plays, but still...
    Here is a live recording of the Secret Society playing Zeno at Le Poisson Rouge back in 2008:

    08 February 2010

    Links From Out In The Cold




    Wein photo via New York Times

    19 January 2010

    Media Criticism



    On Friday, Seth Colter Walls made a suggestion on The Awl for NBC programming executives, who are in the middle of a bit of a crisis: Put some jazz on television. His point was obscured at times by a sheepish affectation, but I'll agree with his sentiment: "I was getting pretty excited about the show that somebody could put on TV, if they had the time on hand to hand around to people who know how to spend it."

    In other news...
    First, Ethan plays Stella by Starlight:


    The Respect Sextet playing Furry With A Syringe on Top:

    11 December 2009

    December Links

    It's the holidays again. You may want to buy some books and music for your friends. On to the links...

    12 November 2009

    November Links


    20 October 2009

    Money Jungle

    Time for the October links...


    Image via
    The Big Money

    18 September 2009

    Polka Dots and Moonbeams

    Since I neglected to write anything about the Lester Young centennial, below are a few videos of Pres from YouTube. First, the 1944 short Jammin' The Blues, featuring Young, Harry "Sweets" Edison, Jo Jones, and others.


    Below is Pres playing Pennies from Heaven in 1950 with Con Bill Harris, Hank Jones, Ray Brown, and Buddy Rich.


    Finally, below is a recording of Young playing Polka Dots and Moonbeams with the Count Basie big band at the 1957 Newport Jazz Festival. In his Lester Young remembrance, Ethan Iverson said of the performance,
    My god, if you aren’t moved by this you have a heart of stone. Young interfaces with the complicated big band chart behind him beautifully. (It’s reminiscent of Charlie Parker in a similar situation with a complicated chart on “My Foolish Things” on One Night In Washington.) Young’s secure aria over the opulence makes one regret that he never made the album with strings like he wanted to.
    I totally agree.

    13 August 2009

    Hiatus

    Esperanza Spaulding performs at Newport with Joe Lovano's UsFive (Wiqan Ang via A Blog Supreme)

    I'm off on vacation through next Friday. I'll be back with you shortly thereafter. In the meantime, below are this month's links.
    I'll see you when I get back.


    17 July 2009

    Good Gracious

    From If Charlie Parker Was a Gunslinger, There'd Be a Whole Lot of Dead Copycats comes this Blue Note cover for Lou Donaldson, who wasn't concerned with the world knowing he was a lecherous creep. Such were the early 1960s...

    In other corners of the jazz blogosphere:

    22 June 2009

    Race Relations, 50 Years Later

    If Charlie Parker Was a Gunslinger ran this photo of Miles Davis a few days ago with the accompanying newspaper caption:
    Musician Arrested.

    New York -- Miles Davis, 32, of 881 10th Avenue, a trumpeter now appearing in Birdland, 52nd Street and Broadway, was arrested after fighting with patrolman Gerald Kilduff, who had ordered him to move from crowded sidewalk. In the scuffle, Davis was hit on the head with a blackjack for which a St. Clare's ambulance had to be called. (1959)
    Of course, in his autobiography, Miles remembered it differently:
    I had just finished doing an Armed Forces Day broadcast, you know, Voice of America and all that bullshit. I had just walked this pretty white girl named Judy out to get a cab. She got in the cab, and I'm standing there in front of Birdland wringing wet because it's a hot, steaming, muggy night in August. This white policeman comes up to me and tells me to move on. At the time I was doing a lot of boxing, so I thought to myself, I ought to hit this motherfucker because I knew what he was doing. But instead I said, "Move on, for what? I'm working downstairs. That's my name up there, Miles Davis," and I pointed to my name on the marquee all up in lights.

    He said, "I don't care where you work, I said move on! If you don't move on I'm going to arrest you."

    I just looked at his face real straight and hard, and I didn't move. Then he said, "You're under arrest!" He reached for his handcuffs, but he was stepping back. Now, boxers had told me that if a guy's going to hit you, if you walk toward him you can see what's happening. I saw by the way he was handling himself that the policeman was an ex-fighter. So I kind of leaned in closer because I wasn't going to give him no distance so he could hit me on the head He stumbled, and all his stuff fell on the sidewalk, and I thought to myself, Oh, shit, they're going to think that I fucked with him or something. I'm waiting for him to put the handcuffs, on, because all his stuff is on the ground and shit. Then I move closer so he won't be able to fuck me up. A crowd had gathered all of a sudden from out of nowhere, and this white detective runs in and BAM! hits me on the head. I never saw him coming. Blood was running down the khaki suit I had on. Then I remember Dorothy Kilgallen coming outside with this horrible look on her face--I had known Dorothy for years and I used to date her good friend Jean Bock--and saying, "Miles, what happened?" I couldn't say nothing. Illinois Jacquet was there, too.

    It was almost a race riot, so the police got scared and hurried up and got my ass out of there and took me to the 54th Precinct, where they took pictures of me bleeding and shit. So, I'm sitting there, madder than a motherfucker, right? And they're saying to me in the station, "So you're the wiseguy, huh?" Then they'd bump up against me, you know, try to get me mad so they could probably knock me upside my head again. I'm just sitting there, taking it all in, watching every move they make.
    Miles adds, "I would have expected this kind of bullshit about resisting arrest and all [for which he was charged that night] back in East St. Louis (before the city went all black), but not here in New York City, which is supposed to be the slickest, hippest city in the world." For all America's ills, at least some things have changed for the better. On with this month's links.
    • Fresh off the folding of Jazz Times, Nate Chinen's regular column at the magazine, The Gig, has moved over to his new blog of the same name. Here he discusses the jazz influences of indie rock stars Grizzly Bear.
    • Michael Katzif at A Blog Supreme interviews Icons Among Us director Michael Rivoira.
    • Black Classical has released a tribute to Blue Note Records: a huge mix featuring Blue Note tracks from Andrew Hill, Bobby Hutcherson, Wayne Shorter, Jackie McLean, and more. Check it out, it is worth a listen.
    • Don Heckman interviews Jimmy Cobb on the anniversary of Kind of Blue.
    • At Rifftides, Doug Ramsey reiterates what everyone should know: Late-period Ellington is among some of the best music ever recorded.
    • Stephan Mejias takes a look at the latest reissue of Spiritual Unity.
    • Jazz.com has a wide-ranging interview with Jack DeJohnette.
    • Here is a snippet of Charles Mingus' Remember Rockefeller at Aticca (context):

    22 May 2009

    Out There...

    Eric Dolphy
    Out There

    Sun Ra gets all the credit for fostering an Afronaut aesthetic within jazz, but one look at this cover from Eric Dolphy's 1960 album Out There shows that other musicians were also thinking about boldly going where no man had gone before. The metronome weirdly foreshadows the monolith from 2001: A Space Odyssey, don't you think?

    Elsewhere in the jazz world...
    • Howard Mandel ponders the dearth of female jazz fans, asking men to perhaps be a bit more inclusive and less misogynistic when it comes to jazz.
    • Groove Notes posted an audio interview with Billy Hart on the murder of Lee Morgan.
    • Philip Stein, an artist who created the mural that graces the back wall of the Village Vanguard, died last month. He was 90. He was the sister of current Vanguard owner Lorraine Gordon.
    • You can now listen to archived performances from Smalls Jazz Club online (h/t All Music Blog).
    • NPR has started its own jazz blog, and came up with a fantastic name, A Blog Supreme.
    • Coming Soon! Kind of Bloop: An 8-Bit Tribute To Miles Davis.
    • ESPN.com Special Correspondent Paul Shirley on basketball and jazz. The basketball/jazz comparison can be a bit tired, but Shirley adds new depth to the relationship. Now I have an excuse to post one of my favorite quotes from the American version of The Office. In a deleted scene from episode 1.05 ("Basketball"), Michael Scott ruminates:
      And basketball is like jazz, you know. To like pertipify it there's a jazz musician, a guy, you know... if you know jazz you know who I mean. He's uh, God what was his name? Um, he plays one of those curly horns, like those really shiny curly horns that's used in jazz a lot.


    Image via Monthly Top Ten

    27 April 2009

    Spanning the Blogosphere


    15 March 2009

    Miles on Record

    Lockwood & Summit recently posted an audio interview of Miles Davis on KXLW in East St. Louis from 1953. Totally bizarre to hear Miles without the rasp in his voice (he got it in the mid-fifties when he got in an argument shortly after vocal surgery). Miles talks about the first time he heard Charlie Parker and Dizzy Gillespie in the mid-forties, and how he was captivated by the new sound - bebop.

    Check it out. You can listen to the interview here.

    h/t: WFIU Night Lights

    photo via jazz in photo

    10 March 2009

    Runnin' the Voodoo Down


    • The fiftieth anniversary of Thelonious Monk's Town Hall concert was celebrated with a pair of concerts by Jason Moran and Charles Tolliver: Fred Kaplan, Ben Ratliff, and Will Friedwald have recaps and comments. Below the links is a video of Moran discussing Monk and preforming "Crepescule with Nellie." (UPDATE: Kaplan also filed a piece on the concerts in Slate today. Read it here).
    • Jazzhouse Diaries posted a paper by Mark Gridley examining the linkages between free jazz and the Civil Rights Movement in the 1960s. It's quite long, but provides a long-overdue counterpoint to the narrative first propogated by Amiri Baraka and Frank Kofsky which placed free jazz squarely within the context of 1960s Black Nationalism.
    • Between the Grooves takes a look at singer/guitarist Madeleine Peyroux.
    • Doug Ramsey examines a recently-unearthed 1956 television performance of the Dave Brubeck Quartet.
    • There is some wonderful jazz photography being shown at Jazz in Photo.
    • This isn't about jazz per se, but interesting to me nonetheless. The LA Times filed a story last week about the increasing number of nonblack faculty teaching African American Studies at US colleges and universities. The piece elicited an interesting response from Keith Josef Adkins on The Root, who recalled questioning the authenticity of white instructors in a graduate seminar on Black Culture and Experience. He writes, "When most students think of Black Studies they imagine 'sanctuary' and a white professor (brilliant or not) is not part of that imagining." This is a subject I once thought about a lot as a white graduate student studying African American history, and one that continues to reveal a certain sense of friction within Academe.


    13 February 2009

    Links

    Those hard bop posts took a long time, so I'm taking the weekend off. Enjoy the links, see you next week...
    • One of my favorite time-wasters is If Charlie Parker Was a Gunslinger, There'd Be a Whole Lot of Dead Copycats. They have plenty of photo collections for any taste, but two that potentially of interest to readers of this blog are The Art of Jazz and The Friends of Milt Hinton, featuring the photography of the great bassist. Bonus points for anyone who can guess the reference in the blog's title...
    • Nat Hentoff has begun writing for jazz.com. Here's his first contribution, on Nesuhi Ertegun and Joel Dorn.
    • Have you ever read any of Brad Mehldau's prose? He's quite a thoughtful writer, and many of his writings are posted on his website (you can also download his complete works on a pdf here).
    • Just in time for Valentine's Day, Night Lights will be looking at some husband-and-wife teams in jazz on tonight's show.
    • Since today is Friday the 13th, I wanted to post a video of Monk playing his tune of the same name (from his Prestige date with Sonny Rollins), but there is no video to be found on YouTube. Instead, here is a trio recording of Friday the 13th performed by Avram Fefer on saxophone, Michael Bisio on bass, and Igal Foni on drums.

    23 January 2009

    Miscellany

    Nothing new, just links and an album cover (it is Friday, after all).

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